![]() ![]() The cue features a suspenseful climax that continues until the end of the track. This track plays during the scene that Jack and Will are commandeering the HMS Interceptor. The track starts a little calm, before building into an exciting climax (00:33) that features a lot of "Sparrow Escapes". This track is played when Jack and Will are making a plan to commandeer the HMS Interceptor. The cue starts with a mysterious theme that leads to a light cello jig (00:34) before building into a climax (01:20) that continues until the end of the track. The cue features a suspenseful tune, that drops into a calm and slightly creepy theme (00:18) that continues until the end of the track. The track plays when Elizabeth is negotiating with Barbossa aboard the Black Pearl after demanding " Parlay". The track starts with a building climax, leading to the end of the track. The cue underscores the Black Pearl exploding the prison walls, releasing all the prisoners but Jack. The track begins with a creepy climax that drops into a suspenseful theme (00:07) that continues until the end of the track. The track features a creepy theme that continues until the end of the track, where builds to a suspenseful climax (0:41). The track plays when the Black Pearl is arriving at Port Royal. It features woodwinds like used in "Fog Bound". The cue begins with a suspenseful theme, that builds into a sinister climax (00:20) and continues 'til the end of the track. The track plays during the scene where the prisoners are trying to get the keys from the dog, by offering him a "nice juicy bone." This track starts with a creepy suspenseful tune, that continues until the end of the track. This track underscores the duel between Jack Sparrow and William Turner in the Blacksmith shop. This continues at a fast pace, building until the climax (02:04), where it transfers to the end of the track. The track begins with a dramatic note, before rising into the film's main "swashbuckling" theme (00:05). That's when he burns the donkey's butt, which explains the track's title. Brown's blacksmith shop, and tries to break the chains. This track is played when Jack, running away from James Norrington's marines, enters J. ![]() The track begins with a funny tune, and then transfers into an amusing and exciting climax (00:27), leading to the end of the track. ![]() The main theme appears elsewhere in the score, notably during " Swords Crossed ". The cue underscores Jack 's escape from James Norrington 's marines in Port Royal. The cue starts with a sinister tune and then transfers into an exciting score with notable horns playing. This track is played when Jack rescues Elizabeth from drowning. The track starts with a suspenseful tune and reaches an upbeat climax (00:14), before leading back to a sinister theme (00:22) that continues until the end of the track. This track accompanies Jack Sparrow's arrival at Port Royal. It dips into a mournful tune (00:57) before rising heroically (01:06) and ending the track with a waltzing melody. PIRATES OF THE CARIBBEAN THEME SONG SERIESThis gives way to Jack Sparrow's introductory theme (00:16), which is repeated throughout the film series as the character's leitmotif. The track begins as a segue from "Fog Bound", continuing the film's love theme. The track accompanies Elizabeth Swann's dream concerning the crossing to Port Royal, and her "present-day" introductory scene. The theme reaches a suspenseful climax (02:18) before leading into the film's love theme that continues until the end of the track, segueing directly in to " Jack Sparrow". It begins with a plodding, suspenseful theme that incorporates woodwinds later used to denote the Black Pearl and her cursed crew. The track is an extended version of the original " Fog Bound". Version and the album version from Pirates, Day One, 4:56 AM, and an alternate version for "He's a Pirate" and "Donkey". This soundtrack is divided in 2 discs, the first one with 25 tracks and the second with 17. ![]()
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